Po-Shin Chiang (2017). Extériorité and Avant-garde: Migration and Mapping Images in the Histories of East and North Asian Modern Art, Art Critique of Taiwan, 72, pp. 2-3.
ISSUE
Avant-garde and Extériorité: Migration and Mapping Images in the Histories of East and North Asian Modern Art
Introduction ■ Po-Shin CHIANG
Toward the Future of "Subject": Shapes of the Modernity in East and North Asian Avant-garde ender the Japanese Colonial Rule ■ Po-Shin CHIANG
Colonail Avant-garde: Modernism Poetics Cases in Pre-war Taiwan and the Interactions with North-east Asia ■ Yun-yuan CHEN
Atelier of Painters of Gyeongseong Shown in Newpaper Media ■ Jen-ji WEN
Kawashima Riichirō Travel in East Asia and His Traveler's Eye ■ Chia-chiu TSAI, trans. Yi-hsuan KUO
Left-wing Politicss with Avant-garde: Japanese Proletarian Art Movement ■ Tsu-yi LIN
Sinophone Studies, Toward a better Worldliness: Interviewing with Prof. Shu-mei SHIH ■ Editorial
Beyond One Dimension: The Possibilities of Multiple Art Histories ■ Editorial
Against Oblivion ■ Shin-lun CHANG
Look! There Is a Ping Climbing the Tree ■ Chuan-rou LI
On the Porous World Model: Invisible Body of East Asia ■ Chihiro MINATO
Photography in Southeast Asia: A Survey ■ Wubin ZHUANG
Seeking Forgotten Thai Masters of Photography: Discovering Unwritten History & Wisdom ■ Manit SRIWANICHPOOM
Dislocate ■ Cong-khanh BUI
More information: http://act.tnnua.edu.tw/?p=1719
Art Critique of Taiwan 72. Extériorité and Avant-garde: Migration and Mapping Images in the Histories of East and North Asian Modern Art