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Po-Shin Chiang (2017). Extériorité and Avant-garde: Migration and Mapping Images in the Histories of East and North Asian Modern Art, Art Critique of Taiwan, 72, pp. 2-3.

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ISSUE

Avant-garde and Extériorité: Migration and Mapping Images in the Histories of East and North Asian Modern Art

 

 


Introduction ■ Po-Shin CHIANG

 

Toward the Future of "Subject": Shapes of the Modernity in East and North Asian Avant-garde ender the Japanese Colonial Rule ■ Po-Shin CHIANG

 

Colonail Avant-garde: Modernism Poetics Cases in Pre-war Taiwan and the Interactions with North-east Asia ■ Yun-yuan CHEN

 

Atelier of Painters of Gyeongseong Shown in Newpaper Media ■ Jen-ji WEN

 

Kawashima Riichirō Travel in East Asia and His Traveler's Eye ■ Chia-chiu TSAI, trans. Yi-hsuan KUO

 

Left-wing Politicss with Avant-garde: Japanese Proletarian Art Movement ■ Tsu-yi LIN

 

Sinophone Studies, Toward a better Worldliness: Interviewing with Prof. Shu-mei SHIH ■ Editorial

 

Beyond One Dimension: The Possibilities of Multiple Art Histories ■ Editorial

 

 


Against Oblivion ■ Shin-lun CHANG

 

 


Look! There Is a Ping Climbing the TreeChuan-rou LI

 

On the Porous World Model: Invisible Body of East AsiaChihiro MINATO

 

Photography in Southeast Asia: A SurveyWubin ZHUANG

 

Seeking Forgotten Thai Masters of Photography: Discovering Unwritten History & WisdomManit SRIWANICHPOOM

 

DislocateCong-khanh BUI

 

 


More information: http://act.tnnua.edu.tw/?p=1719

 

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